Your production arm in Atlanta.
We crew for agencies and production companies. Grip truck, cinema packages, cranes, stages, casting, and department heads, booked under your name or ours. Send a scope, get a line-item bid back in 24 hours.
- 3-ton
- Grip truck, Atlanta
- 13
- States with crew
- 24 hrs
- Bid turnaround
- Any size
- Crew we scale to
Four ways to work with us.
Hand it off. Get paid on it.
You do not want to run the project at all, you just do not want to say no to your client. Introduce us, we scope and bill them directly, and you take a commission on the project. You stay the relationship, we stay in our lane.
Credit: Your call. We can credit you as the agency of record or stay quiet.
- The introduction and the context behind it
- Any guardrails you want on how we talk to your client
- Nothing after that unless you want to stay in the loop
- Discovery, scope, and a line-item bid in 24 hours
- Production and delivery end to end
- Commission paid out once the client pays
- A non-solicit so the account stays yours
Ask for it. We have it.
Owner-operator gear out of Atlanta, plus casting and the crew network to build past it. If it is not on this list, tell us the shot and we will source it and quote it as a pass-through.
Grip and electric
- Three-ton grip truck, Atlanta based
- Full G&E package, stands, flags, and rigging
- Generator and distro for location work
- Swing crew, gaffer, and key grip on call
Camera
- Cinema camera packages including RED
- Prime and zoom glass, matched sets
- Steadicam and gimbal operators
- Multi-cam for live, panel, and event coverage
Movement
- Cranes and techno cranes
- Dolly, slider, and track
- Car mounts and process work
- Drone with a licensed operator
Stages and build
- Studio and stage access, Atlanta and out of market
- Cyc walls and blackout stages
- Set design, fabrication, and dressing
- Art department and prop sourcing
Casting
- Casting calls run end to end, brief to booking
- Submission review, shortlists, and callbacks
- Releases, usage terms, and talent paperwork
- Talent wrangling and coordination on the day
Hair, makeup, and wardrobe
- Makeup artists and hair stylists
- Wardrobe, styling, and continuity
- Teleprompter and on-camera coaching
- Green room and talent holding on set
Sound
- Production sound mixer and utility
- Boom, lav, and wireless packages
- Crew comms and IFB
- Split tracks and timecode on delivery
Post and finishing
- Editorial, short form and long form
- Color to your LUT or ours
- Motion graphics and titling
- Deliverables cut to your spec sheet
Crew in 13 states.
Atlanta is the headquarters and where the three-ton truck lives. We also run crew out of New York, Los Angeles, Miami, and Chicago. The highlighted states are where our own crew and vetted partners are based, so you can book a market without flying a full unit into it.
Pick the crew. Pay the rate.
Published so you can build your estimate without waiting on us. Rates are for the crew and the gear they run. Anything below the line is quoted at cost.
Solo Operator
One videographer or photographer.
Best for On-the-fly ad shoots, social content, vlogs, and B-roll runs.
Small Crew
Director / DP, lighting and sound, assistant.
Best for Interviews, documentary content, founder stories, brand promos.
Mid-Sized Crew
Director / DP, 1st AC, lighting, sound, 2 PAs.
Best for Product videos, small commercials, branded documentaries.
Full Crew
Director, DP, 1st AD, 1st AC, sound, PM, 2 gaffers, 2 grips, 4 PAs.
Best for Big-budget commercials, indie films, multi-day campaigns.
Pre-Production
Concepting, scripting, casting, scheduling, and location scouting.
Post-Production
$325 half-day. Most short-form edits land between $325 and $3,000 depending on length and effects.
- Travel, lodging, and per diem out of market
- Specialty rentals we source for your shot
- Location fees, permits, and studio time
- Talent, casting, and usage buyouts
These four tiers are the ones we book most, not a ceiling. Crews larger than twelve, the three-ton grip truck, cranes, techno cranes, and stage time are quoted per job because they depend on the setup and the market. Send the scope and those come back as line items.
Get a line-item bid →Scope in. Bid back in 24.
- 01
Send the scope
Dates, market, deliverables, and any spec you already have. A call sheet or a one-line email both work. No discovery call required to get a number.
- 02
Bid back in 24 hours
Line-item budget, not a range. Crew by position, gear by package, and what is a pass-through versus what we mark up. You see the whole thing.
- 03
Paper it
Deal memo, NDA, and non-solicit if it is white label. COI naming your production as additional insured, issued before load-in. W-9 on file the same day.
- 04
Prep and shoot
We crew up, cast, scout, and run pre-pro on your schedule. Call sheets and casting calls go out in whichever name the job calls for. Your producer gets a direct line to ours.
- 05
Hand off clean
Card-to-drive with checksums, folder structure to your spec, camera reports and sound logs included. You get dailies or a finished cut, your call.
- Acquisition
- RAW, ProRes, or your house codec
- Handoff
- Card-to-drive, verified copies, camera reports
- Finishing
- ProRes 4444, DNxHR, H.264, or your spec sheet
- Color
- Your LUT, our grade, or flat log for your colorist
- Audio
- Split tracks, timecode, mixer notes
- Turnaround
- Dailies same night, cuts on your post schedule
Shops that already book us.
Some of this work is under NDA and stays off the reel. The names below are shops and teams that have paid us to run their production, not brands we pitched.
Agencies
Creative, PR, and performance shops who brought us in on their client's job.
- FleishmanHillard
- Level Agency
- Spotlight Branding
- Rep Digital
Production companies
Other shops who hired our crew, our truck, or our whole unit.
- Lemonlight
- Beverly Boy Productions
- Blue Forest Studios
- Beta Studios
- Heve Studios
- Misfits Labs
- Triptych Visuals
- Alpha Male Visuals
- Go Big Media
- Consume Media
- Edgewater Pictures
- Soberanis Productions
In-house brand and network teams
Marketing and content teams who run production internally and use us as the crew.
- Sony Music
- Fortune
- AIDS Healthcare Foundation
- Black Girl Vitamins
- CEO Lawyer
- K-LOVE and Air1
- Christian Cultural Center
- Vastian
Screen it before you book us.
Commercial, corporate, event, documentary, and product work. Pick a category and play. If you need to see a specific format or a specific market, ask and we will send more.
Vendor onboarding, already handled.
You should not have to chase a vendor for paperwork the week of a shoot. Ours is ready before you ask.
- COI
- Additional insured, issued before load-in
- W-9
- On file the day you ask
- Deal memos
- Crew papered per job
- NDA
- Signed before pre-pro on white-label work
- Call sheets
- Issued in your name, StudioBinder
- Payment
- Invoiced per your net terms
What producers ask us.
Will my client ever know you were involved?
Not on a white-label job. We sign an NDA and a non-solicit before pre-pro, call sheets and slates go out in your name, and every file is delivered unbranded. We do not post the work, tag the client, or put it in a case study. If you want shared credit, that is a co-production and we agree to it in the deal memo before day one.
What does the grip truck come with?
Three-ton, Atlanta based, with a full grip and electric package: stands, flags, rigging, distro, and a generator for location. Swing crew, gaffer, and key grip are booked separately or as part of the package. Tell us the scale of the setup and we will tell you whether the truck is the right call or whether you are better off with a van package.
Can you crew outside Atlanta?
Yes. Atlanta is the headquarters and where the truck lives. We have crew and trusted partners across 13 states, with teams in New York, Miami, Los Angeles, and Chicago. Out-of-market jobs get local crew plus whichever department heads you want us to travel. Travel, per diem, and freight get quoted as line items, not buried in a day rate.
How fast can you turn a bid?
24 hours on a normal scope. Same day if you send it before noon with dates and deliverables attached. You get a line-item budget, not a range, so you can drop it straight into your own estimate.
Do you carry production insurance?
Yes. We issue a certificate of insurance naming your production as additional insured before load-in, and we keep a W-9 ready the day you ask for it. Most partner jobs are papered with a deal memo, and crew are papered per job.
Do you handle casting?
Yes, end to end. We write and run the casting call, review submissions, build you a shortlist, run callbacks, and handle releases and usage terms. On the day we wrangle talent so your producer is not chasing people. On a white-label job the casting call goes out in your name, so talent never sees ours. You can also hire casting on its own without booking crew.
Can we hire just one person?
Yes. A solo operator runs $150 an hour and covers social content, B-roll runs, and quick-turn interview days. From there it scales to a 3-person, 6-person, or 12-person unit, and past that to whatever the job needs. The published tiers are the common ones, not a ceiling. You are not required to take a package you do not need.
Who owns the footage?
You do, or your client does, per whatever your agreement says. We deliver everything: RAW or house codec, camera reports, sound logs, and project files if you want to finish it yourself. We do not hold media hostage and we do not license our own work back to you.
What if we just need post?
We take handoffs. Send the media and the spec and we handle editorial, color, motion, and finishing. Post runs $650 a day, $325 for a half day, and most short-form edits land between $325 and $3,000 depending on length and effects.
Send the scope. Get a bid.
Dates, market, and deliverables is enough to start. Line-item budget back within 24 hours.